Our track is an ode of joy to ice, the remarkable solid state of water that acts as the earth’s thermostat.
This track gives a musical nod to Latin countries, which have contributed their own culture and knowledge to Antarctic activities and research.
Antarctica has been affected by many of these events in various locations and to various extents.In our track, we offer a big brassy R&B sigh as to what we’ve done to ourselves, and to our planet. We hope for the best, but as they say, hope is not a plan.
Our track takes a wistful, bluesy look at the loneliest continent.
Our track presents a musical interpretation of a shimmering, vibrating atmospheric light show.
Our track is a facetious way of connecting hot-weather music to a cold continent that is being warmed by climate change.
Antarctic katabatic winds are very strong winds that originate from dense, cold air that flows by gravity down from the high interior polar plateau out to the coastlines and over the huge ice shelves. Where these winds have been funnelled into restricted areas, such as valleys, speeds up to 200 mph have been recorded.
In our three-part track we imagine not a rush of furious katabatic winds, but rather soft winds and instruments harmonizing with a choir. In three styles, we hear, in turn, classically mellow, playfully soulful, and countrified, teary atmospheric dynamics.
Our track tries to mirror the motions of these captivating critters in their various environments.
Our track paints a picture of the colourful and complex algal ecosystem in Antarctica.
Our track takes a tropical view of Antarctic travel, coloured by a warming global climate, which is of great concern for Antarctica.
Our track is a commentary that time is clicking relentlessly on global warming. It’s melodically based on one of the most commonly used pop music styles, the doo-wop progression, especially popular in the 1950s.
Carole Desmarteau: tracks 4, 5, 6, 8, 11, ©2023
© 2024 Valmar Kurol & Michael Stibor